Episode 119 · 150 min · Classic Ghost Stories Podcast

The Upper Berth

Published Apr 4, 2023by Tony WalkerHorror

One candle for every story

  1. 1 - told, candle out
  2. 2 - told, candle out
  3. 3 - told, candle out
  4. 4 - told, candle out
  5. 5 - told, candle out
  6. 6 - told, candle out
  7. 7 - told, candle out
  8. 8 - told, candle out
  9. 9 - told, candle out
  10. 10 - told, candle out
  11. 11 - told, candle out
  12. 12 - told, candle out
  13. 13 - told, candle out
  14. 14 - told, candle out
  15. 15 - told, candle out
  16. 16 - told, candle out
  17. 17 - told, candle out
  18. 18 - told, candle out
  19. 19 - being told, candle burning
  20. 20 - still to tell, candle lit
  21. 21 - still to tell, candle lit
  22. 22 - still to tell, candle lit
  23. 23 - still to tell, candle lit
  24. 24 - still to tell, candle lit

Story 119 of 154. 118 told, 35 still waiting.

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About this episode

F. Marion Crawford Francis Marion Crawford was an American author and journalist who lived from 1854 to 1909. He was born in Bagni di Lucca, Italy, to a family of art connoisseurs and spent much of his childhood traveling throughout Europe. Crawford attended Harvard University for a year before leaving to pursue a career in writing. Crawford began his writing career as a journalist, working for several newspapers and magazines such as the New York Tribune and the Boston Evening Transcript. He wrote travel books and essays about his experiences living in Italy, and these early works were well received. Classic Ghost Stories Podcast is a reader-supported publication. To receive new posts and support my work, consider becoming a paid subscriber. In 1882, Crawford published his first novel, "Mr. Isaacs," which was a critical and commercial success. He went on to write over 40 novels, as well as numerous short stories, essays, and plays. Many of his works were set in Italy and drew on his experiences living there, including some of his best-known novels such as "Saracinesca," "Sant' Ilario," and "Casa Braccio." Aside from his success as a writer, Crawford was also descended from a long line of artists and writers. His grandfather, William Crawford, was an American portrait painter, and his great-grandfather, Gilbert Stuart, painted George Washington's portrait. Crawford's father, Thomas Crawford, was a successful sculptor who created several prominent public sculptures in the United States, including the statue of Freedom on top of the U.S. Capitol building in Washington, D.C. Crawford's novels explored complex themes such as love, betrayal, and social class, and his characters often struggled with their own personal demons, making them relatable to readers across time and place. Crawford was considered one of the leading writers of his day and was a member of the American Academy of Arts and Letters. He was awarded several honorary degrees from universities in the United States and Europe. Despite his success, Crawford was known for his private nature and his avoidance of public appearances. He was married twice and had four children. Crawford died in Sorrento, Italy, on April 9, 1909, at the age of 54. His works continue to be read and enjoyed today for their vivid depictions of Italian society, their engaging characters, and their ability to transport readers to other times and places. ##The Upper Berth "The Upper Berth" is a horror story by F. Marion Crawford, first published in 1886. The story is set on a passenger ship and follows a young man named Brisbane as he takes a cabin on the upper deck for a voyage across the Atlantic. Brisbane soon becomes aware of strange and terrifying occurrences in his cabin, including the sounds of someone moving in the upper berth above him, despite the fact that he is the only passenger in the cabin. One of the strengths of "The Upper Berth" is Crawford's ability to create a suspenseful and eerie atmosphere. He builds tension throughout the story, gradually revealing more and more about the strange happenings in Brisbane's cabin. The descriptions of the creaking ship, the eerie silence of the night, and the mysterious noises from the upper berth all add to the story's creepy atmosphere. Another positive aspect of the story is its twist ending, which is both surprising and satisfying. The ending provides a satisfying resolution to the mystery of the upper berth and leaves the reader with a lingering sense of unease. However, one of the flaws of "The Upper Berth" is its reliance on clichés and stereotypes. The story includes many of the standard tropes of horror stories, such as the lone traveler in a strange place, the creepy sounds in the night, and the mysterious disappearance of previous passengers. Additionally, the story relies on stereotypes of sailors as rough and superstitious, which can be off-putting to modern readers. Overall, "The Upper Berth" is a well-written horror story that e

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